Power Of A Dollar

“Musicians are poor, there’s no getting around that. Freelance musicians have to tie together a lot of different things to make a living, and don’t have a lot of support from their teams. There are successful musicians — but the vast majority of people aren’t that.”

– Jean Cook (Future of Music Coalition, July 31, 2012)

As I conclude my summer internship here in New York City, I feel that it is important that I share a part of my experience with all aspiring artists. Sitting in my cubical at this medium size accounting firm, gold and platinum plaques fill the hallways of the music department. Some of the plaques belong to recognizable names of hip-hop, rock, R&B, and everything in between; at the same time, some of the plaques may have you questioning who the artists are and how did they manage to sell 500,000 to a million copies of their album. To me, this symbolizes how the music industry has completely changed over the years and how technology has clearly transformed everything. As we know, records aren’t selling like they used to and artists are often left struggling and searching for royalties in order to survive. Ironically, Cassidy said it best, and he’s probably one of these people,

“Royalty checks come, like, once in a blue moon” 

– Cassidy (“I’m A Hustla“)  

This summer, I have seen first hand some of hip-hop’s legendary DJs and rap groups, who many of you would kill to meet and have your music heard by, reach serious financial difficulties. These difficulties stem from many things: poor business management in the past, buying unnecessary items (the hip-hop stigma), and not paying taxes. If there is one thing that I’ve learned this summer it is that Uncle Sam and the IRS want, and will get the money they are owed. Right, Young Buck & Beanie Sigel? Bottom line, whether you are an artist with a big budget or you’re an artist with a smaller budget, but has consistent touring and strong merchandise sales, please hire a good business manager/accountant. Their services will take off a lot of your financial stresses.

By this point in the blog I would hope that you would be asking the question, “How do I make sure that I don’t reach that point?” Simple – Branding and Touring. Let’s start with branding.

Branding

Many of today’s top artists are getting bored with just rapping. Swizz Beatz, for example, designs cars, paints, and is an executive at Reebok, Pharrell has about 6 clothing lines, a book coming out, and a new multimedia company called I Am Other, Lil’ Wayne decided to hop on a skateboard, and Snoop Dogg decided to change his name to Snoop Lion in order to become a reincarnated Bob Marley. Additionally, we’ve seen Diddy take over the alcohol industry with Ciroc and of course, Dr. Dre is the staple of headphones. All of these guys have found ways to stretch their money and image, yet still remain household names and attract different demographics. A recent Huffington Post article suggested,

“According to industry experts, the only way to make money in the music business is to turn an artist into a brand — then do everything in your power to maximize that brand’s value. Songs make an artist famous in the first place, and allow the artist to define his or her brand.” 

– Joe Satran (Huffington Post, July 31, 2012)

That statement alone clearly exemplifies the importance of giving and earning respect within the music industry. Major corporations aren’t going to endorse artists who have weak followings, a poor image, or a criminal record – as we’ve seen with T.I. and his loss of Chevrolet and Axe sponsorships.

Touring

A recent survey conducted concluded that musicians made an average of about $34,000 off their music in America, before deducting expenses from touring and recording. Trust me, after doing payroll tax and completing tax forms 940 and 941 all summer, I have learned that there are many people that need to get paid on behalf of the work they’ve done for you if you want to have a legitimate entity. Just because the overall average of revenue earned in America is low, doesn’t mean that affects every artist. Take legendary band The Who for example, they are about to embark on a 37 city tour in 2012/2013 on a $20 million dollar budget! Unfortunately, not every artist can successfully do that. The days of having one hit record + million albums sold + tour = longevity are far gone; in today’s market, you may only remain relevant for 6 – 8 months with that formula. That’s why the new formula is consistent music + strong/loyal fan base + continuous touring + merchandise sales = success. Ultimately, it’s up to you and your team on how you want to approach your career.

There you have it readers, and in the words of a fellow South Floridian, “Always pay your taxes, never pay these hoes” – Rick Ross (“MMG The World Is Yours”). I hope that my insight will lead you on a path of great fortune and fame; just don’t forget to give me the 10% I’m entitled to for teaching you a thing or two! Until next time…

Interview: Rec This City Management

Over the last few months I have been giving readers my point of view on the music industry and how up and coming artists should approach certain situations and develop as artists. Today, I bring you something new. Instead of giving you my perspective; I’m bringing you someone else’s.

Jared Glassman has been a friend of mine since we were about 10 years old. As you’ll see in the interview, both of us ultimately laid the foundation for each of our achievements today. I got Jared interested in the business, and Jared is the one who gave me the name Breezy (I added the ‘On The Beat’ part). It all comes full circle! Since then, he’s gone on to manage a few artists who are starting to see success. Below is an interview I did with Jared recently that I think will help up and coming artists.

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Jared & I – Summer 2006

Currently one of Jared’s artists, Jitta On The Track, is the opening act on Drake’s Club Paradise tour along with J. Cole, Waka Flocka Flame, 2 Chainz, Meek Mill & French Montana.

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Jared Glassman – Rec This City Management

Name: Jared Glassman

Age: 22

Title: Founder of Rec This City Management

Artists:

Jitta On The Track

Jitta On The Track

Ethan Jaymes

Ethan Jaymes

D!RTY AUD!O

D!RTY AUD!O

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How you get into the music business and what attracted you to it?

Actually, if you want to know the real truth, I first became interested in the music industry when you first showed me GarageBand when we were about 14. I started producing from that day and the fire grew inside me to eventually become a manager. I had been producing for 4 years and realized that was not the part of the industry I was built for.

What are your daily roles as a manager?

My daily roles fluctuate. Sometimes I’m doing a ton of emailing and phone calls, some days I have to make sure my artists are all in the right mindset and make sure they are doing what they need to get done to push their careers to their full potential.

What are some of the challenges you face everyday as a manager?

Not being big enough in the industry yet. People like persistence but don’t like being pestered. One challenge is getting your foot in the door. But once you do people start to respect you more… At least for now.

When it comes to your artists, do you prefer to have them develop on their own musically and then you promote/handle the business elements or are you involved throughout the entire process?

I like to be a part of the whole thing. One main reasons I got into management is because I really feel that I have a good sense of what the world wants to hear and in my opinion, two heads are better than one so me or someone else might bring something to Jitta that he likes and incorporates in the music. I also help choose which beats. For the most part it’s Jitta and his own creativity though.

All of the artists you manage have a strong presence on the Internet. What are some of the ways Rec This City has been able to help their artists expand online?

Network as much as possible through emails, meetings, events, make your face and name known to everyone possible and keep a personal relationship. If you’re constantly asking for things and have nothing to deliver back, people will get tired of working with you.

You’re artist Jitta On The Track, just won a competition to open up for Drake on the remaining 20 dates of the Club Paradise Tour. What has the experience been like so far on the road and have any of the artists/managers given you any advice?

This experience is life changing and monumental. We have learned so much just from watching performances and seeing how a major tour runs. We have been blessed with many amazing opportunities so far that have helped boost Jitta’s career at an incredibly fast rate.

Watch: Waka Flocka hanging out with Jitta On The Track (Video 1) – (Video 2)

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As Jitta begins to gain a strong momentum, what are your upcoming plans for him and how will Rec This City bring him to the next level?

We just signed a co-management deal with DAS communications, a major management company that launched the careers of The Black Eyed Peas, The Fugees, John Legend, Ke$ha and more. This will be huge for Jitta and RecThisCity.

What are some of your long-term goals for Rec This City?

My long-term goals for RecThisCity would be to just expand into as many forms of management as possible. Maybe expand to be a tour management company or partner up with a major company and be a superpower. All future plans though.

I’m sure a lot of people ask you to listen to their music or look to you as a resource, what is the best advice you can give to an up and coming artist trying to further their career?

Don’t send emails without music! If you send an email and I take the time to read it please include the music because I won’t respond if there is none! Too many emails!

How can people get in contact with Rec This City?

Recthiscity@gmail.com or email my partner paul@recthiscity.com

We are not just hip-hop anymore; Paul runs the electronic music section so any DJs are free to submit to electri.city.mgmt@gmail.com

Be Careful About What You Sign… Or Don’t Sign

“I’m not a businessman,

I’m a Business, Man

Let me handle my business, damn”

– Jay-Z (“Diamonds (Remix)”)

Jay-Z said it best; that’s probably why he’s one of the greatest musicians of our time. So many artists these days claim to be “about their business” or call themselves “businessmen,” but in reality, what do most of these guys really know about business? Do they know their tax ID number? Did they know which forms and licenses to obtain before starting a label? Most importantly, do they know the difference between a partnership and an LLC? The answer to these questions is probably not many.

Meet Pill. The Atlanta-based rapper signed (or not… more on that in a minute) to Rick Ross’ Maybach Music Group (MMG) via Warner Bros. Records has recently expressed his frustration with both labels due to the lack of promotion of his music. For those who don’t know, most artists generally make these claims. In reality, whose fault do you think it is; the artist or the label? Let’s assume the answer is the artist. Even though you think your music is good, or relevant, it’s probably not if nobody is attracted to it. Additionally, you should probably seek new management and establish a team who will guide you in the right direction. (See my article Hip-Hop’s New Business Model for more information)

Back to Pill. In his defense, he did have a single in 2009 that gained him attention from the labels, but it ultimately didn’t do that well. Once Warner Bros. picked him up, they placed him with Rick Ross in hopes of advancing his career. This worked for a few months (beginning February 2011), and Pill was featured on the crew’s debut album, MMG Presents: Self-Made Vol. 1 (Released in May 2011), but after that, you rarely saw him with the rest of the team. To those who follow Ross’ career this is odd since Meek Mill and Wale, also new acquisitions to Maybach Music, are always seen with the MMG team.

L to R: Pill, Meek Mill, Rick Ross, Wale

Fast forward to January 2012. Pill takes to his Twitter page to vent his frustrations with all parties involved. First bad move. The following day, he told MTV News that he doesn’t speak with Rick Ross and was actually never signed to MMG!!! Second bad move and most likely a lie.

Good luck ever hearing a song from Pill on your TV or radio in the future!

There are so many reasons as to why Pill messed up by deciding to speak his mind. But instead of writing out the laundry list of reasons, I’ll make it short and simple because ALL up and coming artists should follow this advice:

  • READ, READ, READ – contracts are more than just a piece of paper, they are your life
  • Understand the business, before you enter the business
  • DO NOT shout out your “Jewish lawyer” in your songs just because it sounds cool, ACTUALLY USE HIM!
  • Respect those who have given you an opportunity and remain humble
  • If you have a problem with your label, tell them, not your Twitter followers
  • Focus on the music and your brand, let your management/lawyer/accountant do the rest
 Just because your able situation may be bad doesn’t mean you don’t have the opportunity to make it right. Longevity is key, get to work and stop complaining!

… And Pill, being signed to MMG doesn’t seem to be too bad if Wale had the #2 album in the country in November and Meek Mill is one of the most talked about artists in hip-hop.

Update: Popular Memphis rapper Yo Gotti is doing the same thing!

“Holla at my Jewish lawyer

To enjoy the fruit of lettin’ my cash stack.”

– Jay-Z (“No Hook”)

Maintaining Independence: Hip-Hop’s New Business Model

This past semester I took a course titled Hip-Hop Cultures. Now of course your first reaction is, “You’re paying to take a college course on hip-hop?” As we learned, the title was the professors trick to reel us in, but in the end it was worth it (although I didn’t agree with most of the course, another story). For our final project we had to incorporate the main elements of hip-hop and write about them based on course material, personal experience, etc.

For my project, I chose to write about one of the new trends in music. Independent record labels and independent artists are at the forefront of the industry, and are becoming the most successful. Since the paper is 19 pages, I have attached it below. Some of the artists I focused on include Mac Miller, Tech N9ne, Wiz Khalifa, and Cash Money Records.

Enjoy!

Hip-Hop’s New Business Model