Over the last few months I have been giving readers my point of view on the music industry and how up and coming artists should approach certain situations and develop as artists. Today, I bring you something new. Instead of giving you my perspective; I’m bringing you someone else’s.
Jared Glassman has been a friend of mine since we were about 10 years old. As you’ll see in the interview, both of us ultimately laid the foundation for each of our achievements today. I got Jared interested in the business, and Jared is the one who gave me the name Breezy (I added the ‘On The Beat’ part). It all comes full circle! Since then, he’s gone on to manage a few artists who are starting to see success. Below is an interview I did with Jared recently that I think will help up and coming artists.
Currently one of Jared’s artists, Jitta On The Track, is the opening act on Drake’s Club Paradise tour along with J. Cole, Waka Flocka Flame, 2 Chainz, Meek Mill & French Montana.
Name: Jared Glassman
Title: Founder of Rec This City Management
How you get into the music business and what attracted you to it?
Actually, if you want to know the real truth, I first became interested in the music industry when you first showed me GarageBand when we were about 14. I started producing from that day and the fire grew inside me to eventually become a manager. I had been producing for 4 years and realized that was not the part of the industry I was built for.
What are your daily roles as a manager?
My daily roles fluctuate. Sometimes I’m doing a ton of emailing and phone calls, some days I have to make sure my artists are all in the right mindset and make sure they are doing what they need to get done to push their careers to their full potential.
What are some of the challenges you face everyday as a manager?
Not being big enough in the industry yet. People like persistence but don’t like being pestered. One challenge is getting your foot in the door. But once you do people start to respect you more… At least for now.
When it comes to your artists, do you prefer to have them develop on their own musically and then you promote/handle the business elements or are you involved throughout the entire process?
I like to be a part of the whole thing. One main reasons I got into management is because I really feel that I have a good sense of what the world wants to hear and in my opinion, two heads are better than one so me or someone else might bring something to Jitta that he likes and incorporates in the music. I also help choose which beats. For the most part it’s Jitta and his own creativity though.
All of the artists you manage have a strong presence on the Internet. What are some of the ways Rec This City has been able to help their artists expand online?
Network as much as possible through emails, meetings, events, make your face and name known to everyone possible and keep a personal relationship. If you’re constantly asking for things and have nothing to deliver back, people will get tired of working with you.
You’re artist Jitta On The Track, just won a competition to open up for Drake on the remaining 20 dates of the Club Paradise Tour. What has the experience been like so far on the road and have any of the artists/managers given you any advice?
This experience is life changing and monumental. We have learned so much just from watching performances and seeing how a major tour runs. We have been blessed with many amazing opportunities so far that have helped boost Jitta’s career at an incredibly fast rate.
As Jitta begins to gain a strong momentum, what are your upcoming plans for him and how will Rec This City bring him to the next level?
We just signed a co-management deal with DAS communications, a major management company that launched the careers of The Black Eyed Peas, The Fugees, John Legend, Ke$ha and more. This will be huge for Jitta and RecThisCity.
What are some of your long-term goals for Rec This City?
My long-term goals for RecThisCity would be to just expand into as many forms of management as possible. Maybe expand to be a tour management company or partner up with a major company and be a superpower. All future plans though.
I’m sure a lot of people ask you to listen to their music or look to you as a resource, what is the best advice you can give to an up and coming artist trying to further their career?
Don’t send emails without music! If you send an email and I take the time to read it please include the music because I won’t respond if there is none! Too many emails!
How can people get in contact with Rec This City?
We are not just hip-hop anymore; Paul runs the electronic music section so any DJs are free to submit to email@example.com